東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The portrait in the Renaissance : = ...

Pope-Hennessy, John Wyndham, (Sir,) (1913-1994)

Linked to FindBook

Google Book

Amazon

博客來

The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The portrait in the Renaissance :/ John Pope-Hennessy
Reminder of title:	the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
Author:	Pope-Hennessy, John Wyndham,
Published:	Princeton, New York :Princeton University Press, : 1989,
Description:	xxxii, 348 pages :illustrations ;26 cm
Notes:	Second Princeton/Bollingen paperback printing, 1989
Subject:	Portrait painting, Renaissance -
ISBN:	0691018251

The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
Pope-Hennessy, John Wyndham,Sir,1913-1994

The portrait in the Renaissance :the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /John Pope-Hennessy - Princeton, New York :Princeton University Press,1989 - xxxii, 348 pages :illustrations ;26 cm - Bollingen series ;XXXV:12. - Bollingen series ;35:12.

Second Princeton/Bollingen paperback printing, 1989

Includes bibliographical references (pages 303-327) and inex

"Here John Pope-Hennessy takes as his subject two centuries of experiment in portraiture during the Renaissance. He shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. This concept was first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Botticelli, Antonio Pollaiuolo, Giovanni Bellini, and Antonello da Messina. The author goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character."--Amazon

ISBN: 0691018251

LCCN: 66016236Subjects--Topical Terms:

3573958
Portrait painting, Renaissance
Subjects--Index Terms:

Paintings

LC Class. No.: ND1308 / .P6 1989

Dewey Class. No.: 757.09024

The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
LDR:01994cam 2200337Ii 4500 001 2289743
003 OCoLC
005 20180330024547.0
008 221006t19891966njua b 001 0 eng d
010 $a 66016236
020 $a 0691018251
020 $a 9780691018256
020 $a 069109795X $q (cased)
020 $a 9780691097954 $q (cased)
035 $a (OCoLC)21282057
035 $a 21282057
040 $a VYF $b eng $c VYF $d UKM $d OCLCQ $d BAKER $d OCLCQ $d YDXCP $d OCLCG $d OCLCQ $d BDX $d OCLCF $d OCLCQ $d OCLCO $d SAP $d OCLCQ $d OCLCA $d OBE
050 # 4 $a ND1308 $b .P6 1989
082 0 4 $a 757.09024 $2 20
100 1 $a Pope-Hennessy, John Wyndham, $c Sir, $d 1913-1994 $3 3573955
245 1 4 $a The portrait in the Renaissance : $b the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. / $c John Pope-Hennessy
260 # $a Princeton, New York : $b Princeton University Press, $c 1989
264 # 4 $c ©1966
300 $a xxxii, 348 pages : $b illustrations ; $c 26 cm
336 $a text $b txt $2 rdacontent
337 $a unmediated $b n $2 rdamedia
338 $a volume $b nc $2 rdacarrier
490 1 $a Bollingen series ; $v XXXV:12
490 1 $a The A.W. Mellon lectures in the fine arts ; $v 12
500 $a Second Princeton/Bollingen paperback printing, 1989
504 $a Includes bibliographical references (pages 303-327) and inex
520 # $a "Here John Pope-Hennessy takes as his subject two centuries of experiment in portraiture during the Renaissance. He shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. This concept was first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Botticelli, Antonio Pollaiuolo, Giovanni Bellini, and Antonello da Messina. The author goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character."--Amazon
650 # 0 $a Portrait painting, Renaissance $3 3573958
650 # 0 $a Portraits, Renaissance $3 3573959
653 0 # $a Paintings $a Special subjects $a Portraits
830 0 $a Bollingen series ; $v 35:12 $3 3573956
830 0 $a A.W. Mellon lectures in the fine arts ; $v 12 $3 3573957