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Explaining tonality : = Schenkerian ...

Brown, Matthew, (1957-)

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Explaining tonality : = Schenkerian theory and beyond /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Explaining tonality :/ Matthew Brown.
Reminder of title:	Schenkerian theory and beyond /
Author:	Brown, Matthew,
Published:	Rochester, NY :University of Rochester Press, : 2005.,
Description:	xix, 293 p. :ill. ;24 cm.
Series:	Eastman studies in music,
[NT 15003449]:	Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.
Subject:	Schenkerian analysis. -
Online resource:	http://www.loc.gov/catdir/toc/ecip059/2005007617.htmlhttp://www.loc.gov/catdir/toc/ecip059/2005007617.html
ISBN:	1580461603$b(hbk.)

Explaining tonality : = Schenkerian theory and beyond /
Brown, Matthew,1957-

Explaining tonality :Schenkerian theory and beyond /Matthew Brown. - Rochester, NY :University of Rochester Press,2005. - xix, 293 p. :ill. ;24 cm. - Eastman studies in music,1071-9989.

Includes bibliographical references (p. [267]-280) and index.

Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.

ISBN: 1580461603$b(hbk.)NT$3006

LCCN: 2005007617Subjects--Topical Terms:

590880
Schenkerian analysis.

LC Class. No.: MT6.B87 / E9 2005

Dewey Class. No.: 781.2/58

Explaining tonality : = Schenkerian theory and beyond /
LDR:01714cam _22002294a_450 001 618903
003 DLC
005 20051202122754.0
008 060920s2005 nyuag b 001 0 eng
010 $a 2005007617
020 $a 1580461603$b(hbk.) $c NT$3006
035 $a 00398653
040 $a DLC $c DLC $d DLC
042 $a pcc
050 0 0 $a MT6.B87 $b E9 2005
082 0 0 $a 781.2/58 $2 22
100 $a Brown, Matthew, $d 1957- $3 606197
245 1 0 $a Explaining tonality : $b Schenkerian theory and beyond / $c Matthew Brown.
260 $a Rochester, NY : $c 2005. $b University of Rochester Press,
300 $a xix, 293 p. : $b ill. ; $c 24 cm.
440 0 $a Eastman studies in music, $x 1071-9989
504 $a Includes bibliographical references (p. [267]-280) and index.
505 0 $a Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.
650 $a Schenkerian analysis. $3 590880
650 $a Tonality. $3 590944
856 4 1 $3 Table of contents $u http://www.loc.gov/catdir/toc/ecip059/2005007617.html $z http://www.loc.gov/catdir/toc/ecip059/2005007617.html