Art criticism.
Overview
| Works: | 394 works in 8 publications in 8 languages | |
|---|---|---|
Titles
The meditation artist grasping the art of seeing along the creative path.
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(Electronic resources)
Imagining the present : = context, content, and the role of the critic /
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(Language materials, printed)
The private life of a masterpiece.. Disc one,. Renaissance masterpieces
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(Projected and video material)
The private life of a masterpiece.. Disc two,. seventeenth century masters
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(Projected and video material)
The private life of a masterpiece.. Disc three,. 1800-1850 masterpieces
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(Projected and video material)
The private life of a masterpiece.. Disc four,. 1851-1900 masterpieces
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(Projected and video material)
Hold it against me : = difficulty and emotion in contemporary art /
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(Language materials, printed)
The Market for Chinese Contemporary Ceramics Art An Overview and Analysis of the Chinese Art Market from 1978 to 2015.
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(Electronic resources)
Confronting the Spectacular: Addressing the Role of Contemporary Installation Art.
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(Electronic resources)
Becoming Nonhuman: Uncanniness, Impossibility and Human-Animal Indistinction in Recent Literature and Visual Art.
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(Electronic resources)
Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
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(Electronic resources)
Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
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(Electronic resources)
Condemned to Invisibility? Antonio Canova and the Impact of Photographic Reproduction on the History of Art.
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Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.
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(Electronic resources)
Re-Framing "Ecstatic Truth" Experiments in the New Visual Language of Werner Herzog.
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The critique handbook : = the art student's sourcebook and survival guide /
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(Language materials, printed)
The image and the internet: photography's expanding role in the digital age.
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(Electronic resources)
Aesthetics and criticism in art education : = problems in defining, explaining, and evaluating art /
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(Language materials, printed)
Transformation From Wax to Metal: A Symbolic Interactionism Study of Jewelry Casting Class.
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Mycological provisions: An a/r/tographic portraiture of four contemporary teaching artists.
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Introduction to the Gedun Choephel Artists Guild: Exploring the Lost and Found.
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Art critiques and ecological perspectives of contextuality, equity, and harmony: Recommendations for Korean art education.
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Understanding photographic time in the realm of visual culture: The attributes of time in photography as seen through exposure.
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(Electronic resources)
Creating the Photographic Subject On the Role of Site, Subject, and the Spectator in the Work of JR.
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Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
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An analysis on the correlation between commercial success and institutional success for contemporary artists.
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The "Shock Effect:" The Influence of Audience Reactions on the Price of Contemporary Art.
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The Aesthetics of the Modern: Art, Education, and Taste in Egypt 1903-1952.
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Through the Body: Corporeality, Subjectivity, and Empathy in Contemporary American Art.
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Art in between empires: Visual culture & artistic knowledge in late Mughal Delhi 1748--1857.
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Between Conviviality and Antagonism: Transactionalism in Contemporary Art Social Practice and Political Life.
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Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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Aligning visual art curriculum with common core state standards through the methodology of visual thinking strategies.
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Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.
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Navigating floating worlds: Curatorial strategies in contemporary Chinese art, 1979-2008.
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American Indian graffiti muralism: Survivance and geosemiotic signposts in the American cityscape.
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Re-imaging antiquities in Lincoln Park: Digitized public museological interactions in a post-colonial world.
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The perturbed national body: Kiyoji Otsuji and Nobuya Abe's postwar surrealist body-object.
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The Urgent Modernity -- Reviewing Displays of New Urban China amidst the Curatorial Turn and Global Biennalization.
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The influence of the automobile on Frank Lloyd Wright's architectural projects and works.
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Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
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Visualizing masculinity: Men, family, and country in nineteenth-century French print culture.
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Le vetement et ses derives comme pratique interdisciplinaire, un corps graphique et organique dans un parcours limite.
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(Electronic resources)
Some Island Unknown to the Rest of the World Inscrutability, Asian Americanness, Performance.
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Aesthetics and politics: A cross cultural analysis of social practice art in Western and East Asian societies.
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The historical reception of Japanese cinema at Cahiers du cinema: 1951-1961.
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The modern art father of spirit: Spirituality in color and experiences in the paintings of Mark Rothko.
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The materialization of the Internet art object: The evolution of Internet art and its contemporary market.
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Expressionist Art and Drama Before, During, and After the Weimar Republic.
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(Electronic resources)
Sites of Sociality: Performances of Dyke Identifications Through Social Networking.
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Art and the picturesque: An artist uses oil painting techniques and concepts from Romanticism and Luminism.
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Atrocity and the texture of memory: Dinh Q. Le and the Tuol Sleng Prison photographs.
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Revealing Judy Chicago's "The Dinner Party": An Analysis of the Curatorial Context.
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The aesthetic culture and splendor of Arabic calligraphy within determined identity.
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The Performative Image and the Power of the Audience: Shakespeare in the Visual Arts.
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An analysis of the Italian art market: The evolution of modern and contemporary art.
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Painting photography: Robert Bechtle and the critical legacy of 1960s photorealism.
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Beyond visible cities: Avant-garde actions and the materialized word in twenty-first-century New York City.
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Mind the Gap: The Visual Arts, the Reader-as-Viewer, and Identity Critique in Early Twentieth-Century American Women's Writing.
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The dreamer: An examination of Chinese philosophical concepts and audience through animation.
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Visualizing Zones of Occupation: Making Tangible the Violent Infrastructures in the Global Economy of Fear.
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Empathic Resonance and Repetition in Art and Psychotherapy: Attunement With Image and Archetype.
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The birth of a community-based mural movement: The story of San Anto Cultural Arts.
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Critical topographies of two films: Aura, temporality, and place in El Sol del Membrillo and rivers and tides.
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Fashion and Art Collaborations: The Benefits for Both Brands in a Designer x Artist Brand Alliance.
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"Basically a True Story": "The Beginning or the End," "Fat Man and Little Boy," and American Remembrance of the Atomic Bomb.
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REPETITION: A Study in Visual Form using Selected Artworks by Edward Hopper.
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Registering Vision: Saturation, Surveillance and the Contemporary Image in Spain and Mexico.
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Conflict, Controversy, and Art Education: Social and Pedagogical Implications of Traveling Exhibitions of Contemporary Art.
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Visual Dialogue: Learning Journeys, 21st Century Skills, and Arts-Based Research in the University Art Studio.
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Censorship for None: An Analysis for American Cultural Progression from The Culture Wars to the Censorship of "Hide/Seek: Difference and Desire in American Portraiture".
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Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013.
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Art at the end of the world: Bioart and posthuman ethics in the anthropocene.
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Textual deviants: Women, madness, and embodied performance in late twentieth-century American literature and photography.
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Against Purity: Theatricality and Otsuji Kiyoji's APN Photographs (1953-54).
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A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.
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Repaint, reframe, renew: Updating sacred images during the early Italian Renaissance.
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Art verging on the religious: Threads of the Spirit in minimal art and beyond.
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Seeing Eye to Eye: A sexuate aesthetic development model for art and education.
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The Other Art World: Alternative Spaces and the New Model of Sustainability for the Future of Cultural, Economical, and Community Growth.
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The Art Education of Recklessness: Thinking Scholarship through the Essay.
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You are What You Read: Participation and Emancipation Problematized in Habacuc's "Exposicion #1".
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Sun / Water / Wind: Art and the Aesthetics of Ecology in the Built Environment.
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Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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Emotional Synergy: The Transcendent Experience of Abstract Expressionism in the Color Field Work of Mark Rothko.
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The Effect of Rendering Style on Viewer's Perception of Historic Virtual Architecture.
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Minimalist Paintings of Agnes Martin: A Spiritual Experience Disguised as a Simple Grid.
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Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.
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Collaborations between Visual Artists and Musicians in the Age of Celebrity.
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The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
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Textual Hijacking: Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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Manufactured Apparitions: Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
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Individual encounters with painting and poetry: Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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Press Play: Video Games and the Ludic Quality of Aesthetic Experiences across Media.
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The Role of Interactivity in the Artistic Process of Web-Based Art: Case Studies of the Digital Media Art Pioneers' Practices and Studio Teaching.
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Authenticity, Creativity and the Future---Adidas Advertising and Contemporary Youth Culture.
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Representations of Missing and Murdered Indigenous Women in Canadian Art.
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Performative Beings: An Exploration of Gender Identity and Construction of Self(ves).
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Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.
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From Functionality to Aesthetics: Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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Client-driven Creation & Professional Patterns in Modern Design: A Case Study of One Vanderbilt Avenue.
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Schizoanalytic ventures at the end of the world = film, video, art, and pedagogical challenges /
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Accessibility and Democracy: the Politics of Christo and Jeanne-Claude's Architectural Installations.
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Los Angeles Artists and Revisionist Historiography: A Diasporic Intervention.
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Bodies Withdrawn: The Ethics of Abstraction in Contemporary Post-Minimal Art.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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Constructing the Sacred Encounter: Body and Space of Antony Gormley (1950- ).
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Reconsidering Painting: The Implications of Frank Stella's Black Paintings.
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Visions for the Viewer: The Influence of Two Unique Easel Paintings on the Late Murals of Pierre Puvis de Chavannes.
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Relational Geographies: Toward an Interconnected Vision of Place in French Literature and Geography, 1850-1900.
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The Making of a Modern Art World: The Institutionalisation of Guohua in Shanghai, 1929-1937.
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Realist Agency in the Art Field of Twentieth-century China: Realism in the Art and Writing of Xu Beihong (1895-1953).
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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The Convergence of Thorstein Veblen and Thomas Eakins: Reflections and Changes of Class and Society in American Realism.
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Between Deeds and Dreams: Identity as Phantasm (Marc Chagall's and Amedeo Modigliani's Diasporic Identities).
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Bauhaus: Discourse and Structure- Experimentation in Software and Visualization.
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The Social Artist: An Animated Comics Address of Social Media's Impact on Independent Artistry.
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Erotic Heterotopia: Manipulating Queer Force within Yu-pin Huang's Ink Art = = 色/情異托邦：論黃昱斌水墨藝術中的酷兒力操作.
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Terms of Use: Embodied and Empowered Gallery Participation in the Digital Age.
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The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art.
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Informatic Opacity: Biometric Facial Recognition and the Aesthetics and Politics of Defacement.
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De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.
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Logistics of Space, Material, and Time: Struggles and Strategies for Sustaining Art Practice.
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The Geopolitical Aesthetic of Computational Media: Media Arts in the Middle East.
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The Spiritual and Emotional Sense of the Form: Kandinsky and De Kooning Aesthetic Experience.
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A Record of an Exhibition of [Sculpture & Photography] Entitled Absorb and Exude with a Corollary Statement.
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Subverting the Selfie: Analysis of Cindy Sherman's Instagram Photos and Untitled Film Stills.
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The Brave New Virtual Art World the Evolution of Digital Art: NFTs and Their Effects on the Art Market in 2021.
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A Curious Constellation Modern Architecture and an International Sensibility.
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Comparative Analyses of Contemporary Fine Art Criticism and Contemporary Ceramics Criticism.
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Folk Art on the Internet: Artists Building Community and Marketplace on Social Media.
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Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
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Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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The "Zombie Formalism" Bubble and Its Aftermath: The Evolution of Jacob Kassay's, Oscar Murillo's, and Lucien Smith's Markets and Artistic Developments in Relation to the Financialization of the Art Market.
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Ceramic Sculptures in Group-Display to Narrate Passage of Time and Emotion.
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Nubians of Plutonia: Black Women in Modern Post-Apocalyptic and Dystopian Graphic Literature.
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'The People's Glossary': Using Dialogic Art to Create a Common Language for User-Led Museum Practice.
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Alphonse Mucha and the Suppression of Art Hierarchies in the 'Fin de Siecle'.
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Checks and Balances: The Benefits of the Male Contribution to Feminist Art Criticism.
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Land Art: Restoring Social Interconnections Through Enviromental Interaction.
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Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
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Excess Flesh: A Study on the Universal Commodification and Consumption of the Colored Body.
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Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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Reappraising the Rococo: The Enduring Relevance of Eighteenth-Century French Painting.
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The Rediscovery of Sanyu: The Development of Sanyu's Market from the 1980s to Today.
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Of Affects, Processes, and Excesses : = Unruly Masculinities in Peruvian Contemporary Visual Productions.
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A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
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Art Is My Language: A Study of Artworks Created by Contemporary Artists with Mental Conditions.
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Van Gogh, Picasso, and Dali: Masters of Modern Art, and Their Significance in the Modern World and Beyond.
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Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
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The Relationship Between Art Education and Art Market Development in India.
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Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
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The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.
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Ways of Being Beyond the Perpetuating Inequalities of the Technosphere: Textual Artistic Intervention as a Vital Strategy in Enabling Resistant Agency, or, Embodying a Practice of Radical Care.
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"Art Is to Sacrifice One's Death": The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin.
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Making Cinema Anew: Film Criticism and the Making of the New American Cinema, 1959- 1975.
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The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
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Rethinking Subjectivity: From Consciousness Raising and Epistemological Certainty to Moral Accountability and Epistemic Failure in Theories of Subject Formation.
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The Corpse Ballet: Existentialism in Madame D'Ora's Slaughterhouse Photographs.
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Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.
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Who Am I? An Examination into the Construction of Postmodern Identity through the Lens of Cindy Sherman.
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Viewing the World After Structural Film: Realist Impulses in Experimental Cinema.
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Banksy's Multimodal Representations: A Cultural-Rhetorical-Cognitive Analysis.
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How to Survive the Apocalypse: Using Film, Television, and Video Games as Gateways to Self-Analysis.
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Return of the Soul : = Inheritance and Innovation in the Process of Artistic Creation in Major Kunqu Productions in the People's Republic of China, 2001-2015.
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Harming Works of Art the Challenges of Contemporary Conceptions of the Artwork.
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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Creating Receptive Spaces Within the Gallery : = a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
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What Was in the News : = Picturing Current Events in Seventeenth Century France.
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The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
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Turning The Page : = A New Dimension to the Language of Ceramics with Reference to Wayfaring, Porcelain Paperclay and the Archetype of the Paper Page.
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The Rise of Kody Mattei : = In a World Where Demand Increases Art's Value More Than What Is Proportional, How Can Underrepresented Artists Create Something Valuable?
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An Analysis and Case Study of Human Emotions and Their Influence in the Production of Art.
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Between Film, Video, and the Digital : = The Art of Hybrid Moving Images, Medium Specificity, and Intermediality.
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她們都是兔子－徐書涵創作論述 = = They are All Rabbits-The Artistic Creation of Hsu, Shu-Han.
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The Graphic Construct of the Contemporary Reportage Artist: Vision, Experience and Drawing.
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Translating between Art and Technology through Interactive Visualizations = = 通过交互式可视化在艺术与科技之间进行转换.
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Wuxia-Made Hong Kong a Socio-Political History of Martial Arts Cinema from 1949-1976.
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For Those in Peril on the Sea: The Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings.
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Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture.
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Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.
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The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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Tradition, Function and Artistry: Craftspeople in the Modern American Art World.
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Pushing the Public Art Network Database into the Current Digital Age: Collections as Data.
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Psychotherapeutic Empathic Art Critique: A New Model for Communication and Understanding.
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Factors Behind the Successful Positioning of Mexico City as an International Contemporary Art Center.
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Performing Resistance : = The Greenham Common Women's Peace Camp as Artwork.
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The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
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The Innovations of Art Comics : = Materiality, Community, and the Visual Turn.
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Critically Conscious Curation and the Role of Arts Based Research in a Curriculum of Care.
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Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
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Essentially Shimmering : = Contemporary Poetics at the Edges of Materialism.
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Iranian Documentary Photography of the Iran-Iraq War (1980-88) and Its Artistic Legacies : = Discursivity, Institutionalization, and Transfer in the Photographic Medium.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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(Electronic resources)
Techno-Intransigence : = The Resistances to Representation in Video Games.
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Complexity Theory and Creativity : = Seeing through to the Mythic Leonardo da Vinci.
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Making and Exhibiting Modernism : = Gustave Caillebotte in Paris, New York, and Brussels.
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The Parameters of Participatory Play : = Nostalgic Situationism for The 21st Century.
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